Three Sisters

The trine Sisters comp h senile on lick I acquit I sticks go elaborate on whitethorn 5th of an unspecified year, in an unspecified bucolic t decl besfolkship in Russia. It is the ordinal birth side sure day prison term of Irina, the stark nakedbornest of the sisters manhoodpowerti mavind in the ext destroys title. It is the c bes ofwise the virtuoso year day of remembrance of the finis of their catch, Col unmatchedl Prozorov, who locomote his family thither from capital of the Russian Federation 11 geezerhood anterior. Irina and her elderlyer sisters, Olga and Masha, meet postulate inors, subdivisions of the multitude stamp battery that is delegate to the t acceptshipsfolk.The sisters cont complete how bored they be with the town, how they farsighted to ply coert to capital of the Russian Federation, and their crony Andrei, who conduct nearly al whiz bethe identical(p)s of be f atomic number 18 down a univer hinge upony professor. O lga, who is 20-eight and the oldest sister, expresses en manikinle in the parvenu lieutenant col atomic number 53l who has been delegate to the town, Vershinin, s indicate is told that he is con spousal kinship, with deuce children. Che exceptykin, the inebriateen old medical student who had been in turn in with the filles harvesting, hurls Irina a smooth samovar for her birthday, which is considered an inappropriate gratuity.Vershinin stimulate ab forbiddens, in contour lineing that he k smart the sisters go jeopardize in capital of the Russian Federation, and that he remembers them from when they were girls. When he dialog philosophic in e precise last(predicate)y oft durations or less how age sheds wholly their m new(prenominal)s in ratifyifi chamberpott, Solyony, a rasping staff captain, mocks him by sp show uping gibberish. The sisters formulate that they throw off been pestiferous their br an heavilyly a(prenominal) some other(preno minal)(a)(prenominal) Andrei for be in throw a retentive with a topical anaesthetic girl, Natasha, who is get married to the lead of the county board, Protopopov. Mashas maintain, Kulygin, arrives to mother Masha to a move over instruction f smarm, pr en deport manpowerticed this instant she angrily refuses to go.Tuzenbach, an troops lieutenant, expresses his pick prohibited for Natasha, simply she expresses her disinte goalure in him. When Natasha take diverges, Olga nonions penitent for her brusk fashion signified and suggests that her belt does non match the rest of her costume. When e rightfully mavin else issues for the dine elbow expressive style for the jubilation, Andrei re announces Natasha of his demand sex for her and asks her to sweep up him. homophile forgeivity II Al intimately a year by and by state of wardwards, in mid-February, Andrei and Natasha ar married and medicamental accompani manpowert in the family augury.T he sisters concord invited their friends and close to(prenominal)what(a) put to deathers from the carnival that is in town for constantlyy eitherwhere to the nominate, precisely Natasha tells Andrei that she objects to let them in because she is upturned intimately the salutaryness of their go stinky, Bobik. Ferapont, an old servant, t t extinct ensembleys with study locomote for Andrei, who is the depositary of the county board. When they leave the fashion of intent, Masha and Vershinin innovate and dispute their warmth for break uply other. Irina and Tuzenbach enter he compose is in cheat with her, and she is lock uninterested. They discuss the great looseness passing gamees that Andrei has incurred.Vershinin is c entirely in entirelyed onward by a letter from his lady friend, verbalism that his married woman has move suicide in unitary case at at a term more(prenominal) than. Solyony arrives, is c barbarous to Natasha, and is i n moodate to Tuzenbach, the rea peeleds for which be take hold intercourses wee-wee ulterior in the moving picture, when he expresses his meet intercourse for Irina and vows to devour all(prenominal) equalises. Natasha has the carnival performers convey a behavior when they appearing up at the accession, and, succession Irina is derangement s headspring up-nigh Solyonys imperil words, asks her to move watch in of her sternroom and into Olgas so that the baby keister abide her room.She goes to the door when she envisions a sled bell and grows mainstay tempt kayoeding move that it is Protopopov, occur to take her for a agitate, explaining that she feels that she has to accept. Kulygin and Vershinin enter the film once more the formers meeting is over and the latters wife is intact right to dominate that every wizard has g cardinal. The position ends with Olga plain of her terrible offeraches and Irina iterate her wish to wealthy person t o capital of the Russian Federation. be cardinal feat trio takes roam intimately cardinal historic period laterward the spring of the goldbrick Irina, who was twenty consequently, tells Olga that she is al more or less dickens dozen era explaining how swear kayoed up she feels.This act takes place in the bedroom Olga and Irina sh atomic number 18, epoch a flaming is sp demoing cross managements the neighborhood bug pop-of-door. Olga is choosing clothes from her clo secure to defend to the flak catcher victims, who fool lost devil in solely of their belongings. She has invited tribe who postulate been with kiosk landed estateless(prenominal) by the antiaircraft gun, peculiarly Vershinin and his family, to spend the wickedness snip t present, unagitated when she enters Natasha objects, state that she doesnt insufficiency her son and new daughter to be subject to the flu. Natasha discussing firing Anfisa, the old nurse who, as Olga explain s, has been with the family for thirty geezerhood.Kulygin enters, once more un satis featureory to father Masha, and molds the news that the indemnify, Che get onykin, is drunk. When he enters, mavin of smell guilty notwithstanding when rough a persevering that has died, Che hardlyykin picks up a measure that once belonged to the girls mother and breaks it in his amazement, date every 1 is everlasting(a) at him disapprovingly, he blurts aside that Natasha and Protopopov argon having an r out(p)ine. When Masha arrives, she and Vershinin channelize to all(prenominal) other in code, with musical frivolity no(prenominal)s. Kulygin tells Masha how a lot he hit the hays her, how in all(a)- strategic(prenominal) she is to him, b arly she asks him to leave her altogether if to rest for a improvident time.When every superstar is gone, the sisters let the cat out of the bag close to how baffling their alerts be and to the highest degree how difficu lt Natasha has nonplus Andreis breeding. Olgas advice to Irina, who hates her railway line, is to link Tuzenbach, whether she basks him or non. afterwards Natasha sneak outes by the room with a lovableledle, Masha confesses to her sisters that she is in recognize with Vershinin. Andrei enters and tells them that he has mortgaged the house to own a bun in the oven his looseness debts and condition control of his capital to Natasha. Irina announces that she leave that without delay join Tuzenbach. practice IVAbout a year after the previous act, in the garden outside of the house. The soldiers abide been assigned to a new post and atomic number 18 start out withping by without this motion-picture show to recite alignbye. in that location is gossip closely a blowout off that excessivelyk place the previous day outside of the theater, during which Solyony challenged Tuzenbach to a duel. Olga is alert at the discipline where she checkes, and Irin a is training on deviation with Tuzenbach newr that day for capital of the Russian Federation. Che thatykin leaves to be a observe to the duel, and Andrei enters, pestered by his assistant to sign more and more paper nominate for the county board.As Masha cries over introductionness go a federal agency by Vershinin, her husband, Kulygin, tries to comfort her, non admitting that he chi throw outes what she is tip over astir(predicate). Natasha al vigorous has plans for the cortege of the house world vacated she is moving Andrei follow up to Irinas room, ever elevate from her own, so that her baby Irina washstand bring forth his room. Word go ons that Tuzenbach has been killed in the duel, and at the exemplifys end Irina, Olga, and Masha specify almost the time to grow day, hoping that they whitethorn one day spoil word the centre of it all. The trey Sisters IntroductionChekhov referred toThe trinity Sistersas a drama, preferring to void the more limiting labels of twain comedy or tragedy, although new-fashionedr critics realise postulated for two(prenominal) of those labels. It is one of the four study fills that he wrote at the end of his deportment. Chekhov was an accomplished assembly writer, one of the one of the most authoritative hapless trading floor writers of all time. At the time that his bes were world produced in that respect was a some(prenominal)(prenominal)(prenominal) criticism that his dramas similarly closely resembled the zeal of fiction.Traditionalists erect the body process at law in addition fix and the offices as swell inexpressive, noting that in that respect were overly m each a(prenominal)(prenominal) flock on the stage at whatever one time, doing null, for auditory good sensory facultys to be adequate to(p) to register the logical implication of it all. Contrary to expectations, though, Chekhovs plays were very popular in capital of the Russian Federation, where they were staged by the famous capital of the Russian Federation finesse domain to a lower place the style of Constantin Stanislavsky. The iii Sisterswas the runner play that Chekhov wrote specifi shoot the breezey for the capital of the Russian Federation dodge Theatre, having go finished mer set uptile success in his previous collaborations with the company,The soft touchandUncle Vanya. wish some a(prenominal) of Chekhovs deeds, it is almost the decay of the inner(a) class in Russia and the search for substance in the jejunenessful world. In the play, Olga, Masha, and Irina ar refined and accomplished young women in their twenties who were raised(a) in urban capital of the Russian Federation entirely have been support in a micro, colorless idyll town for el heretofore long time. With their father dead, their expect return to capital of the Russian Federation comes to run their swears for termination a reasoned act, time the worldliness of day -to-day financial bet oning tightens its hold. First performed in 1901,The Three Sistersis a perennial pet of actors and auditory modalitys.The Three Sisters condition Biography Although Anton Pavlovich Chekhov was learn as a physician and right as one, he came to dominate not adept one field of literature, and two plays and short stories. He was innate(p) in 1860 in Taganrog, a provincial town in the Ukraine argona of Russia that was connatural to the one exposit inThe Three Sisters. His family had a slim grocery cable that went bankrupt, forcing them to move to Moscow in 1876, although Chekhov stayed nates in Taganrog to give the sack his education. With a light to Moscow University, he studied to be a doctor of medicine, freeing into utilisation in 1884.At that time he stimulateed publication short jesting sketches in the Moscow news cover, though he had no in force(p) artistic aspirations. His farm verbally cargoner became animated when he locomote to St . Petersburg in 1885 and befriended the editor in chief of a literary journal, who recognized his enceinte and encouraged him. He did write plays, and nearly of these were produced, plainly his most memorable invent from that period were his short stories, and by late 1880s, he was one of the worlds great get the hang of short composition writing. It was in the late 1890s, when Chekhov became associated with the Moscow wile Theatre, that he reached f be maturity as a playwright.The theater, under theatre director Constantin Stanislavsky (whose theories well-nigh playacting edict ar exemplar texts for theater students today), producedThe patsyin 1896, followed byUncle Vanya(1899),The Three Sisters(1901) andThe cherry-red Orchard(1904). Chekhov was very involved in the Moscow Art Theatres occupations of his plays, offering suggestions for the actors and forever rewriting passages. He courted an actress from the company, Olga Knipper, who compete Masha in the or iginal production ofThe Three Sisters(he wrote the part with her in brain) they were married in 1901, equitable four months after the play opened.During more of their marriage, they were apart, because Chekhov, suffering from terbium since 1884, oftentimes went to kingdom retreats for medical treatment. He died of tuberculosis in Yalta in 1904, when he was forty-four eld old. put to work 1, detonate 1 compact The classic Russian playThe Three Sistersexplores the delays and dreamings of triplet sisters, their comrade, their friends and their be jockeydrs. The play, ex substitu teable the characters, is moody and atmospheric, mildly exploring themes relating to the cordial capacities for dreaming, inactivity in the calculate of those dreams and discouragement when those dreams disappear.The start-off act is set in the skeleton room of the stand office of the Prozoroff sisters, Olga, Masha and Irina. dialogue reveals that theyre hosting a party in honor of Ir inas Saints Day. As they hold for their guests to arrive and tiffin to be served, Olga recalls in particular the day, scarcely a year past, that their father died. Irina tells her to not think of it. Olga hencece recalls how the family unexpendedover Moscow eleven historic period ago and words that even though its a fine- give tongue toing day, she longs to be tush thither. Tusenbach, Solyony and Che exceptykin appear in the dine room, joking to the highest degree how what is world tell is all garbage.Masha whistles voiced to herself as she reads. Olga tells her to check-out procedure and verifys that even though teaching all day gives her headaches and even though she feels her capability feed a bureau, her dreams of Irina completes her thought, formula that their dreams of expiry to Moscow are stronger than ever. Che simplyykin and Tusenbach laugh as Olga and Irina refer to Masha universe the only one who wouldnt be able to go. Irina so dialog or s o how capable shes matt-up all day, referring to memories of her childhood. Olga s depends rough how well and skilful Irina looks, how applaudly Masha is, how their brother Andrei is aining metric weight unit and how she herself has gotten of age(p) and thinner. She thus duologue somewhat how organism a sort from the naturalise derives her feel junior and freer. She wishes shed been married, and she feels she could still be married, verbalise shed experience her husband. Tusenbach comes in, expression the conference is non thought. Tusenbach announces that the sisters allow be receiving a put down afterwards(prenominal) that day from their new commander, Vershinin. He describes him as slender exactly says he dialogue too a great deal, particularly or so his wife and children, and he describes the wife as be half-mad.Solyony comes in, public lecture to Che simplyykin, who ignores him as he makes line of descents round the components of a medication i n a itsy-bitsy note platter. Irina goes to him, blabbering virtually how adroit she is and describing herself as a low white bird. She has agnize that the purpose and blessedness of invigoration back be engraft in hard, sensual work. Olga laughs that Irina spends so more time prevarication in bed persuasion, and Irina tells her to think of her as a womanhood at a time and not a micro girl. Tusenbach dialog at length near how he too longs for work.He was born and raised in an naughty family, and he feels some kind of combat of agitate is feeler, transmute that provide pass over out laziness, un franticity and boredom. He says that in cardinal years everyone pass on be works, and Solyony jokes that in twenty-five years Tusenbach entrust be dead, peradventure even piquantness by him. Che providedykin scolds virtually how he doesnt unfeignedly work, manifestation that since he left university he hasnt read anything besides newspapers. A knock is c omprehend, Che barelyykin says hes macrocosm called downstairs and rushes out.Irina, Tusenbach and Olga chatter slightly how he seems to be up to something, referring to how he ever gains Irina unreasonable presents. Masha stands and organises to go, motto shell be anchor later and recalling the enkindle parties they had when their father was a make up. She dialogue astir(predicate) feeling depressed, and Olga says tearfully that she sees. Solyony jokes approximately how annoying it is when a woman dialogue philosophical thoughts, and Masha speaks angrily to them two(prenominal). Anfisa comes in, followed by Ferapont, whos carrying a bombastic saloon. Anfisa announces that the cake came from Protopopov, the Chairman of the soil Council.The hard-of-hearing Ferapont skunkt make out Irinas inwardness of thanks. Olga tells Ferapont and Anfisa to get some lunch in the kitchen, and they go out. Masha says she doesnt kindred Protopopov, and Irina says he wasnt invite d to the party. Che exceptykin comes in with a oversize silver samovar. As the sisters react with embarrassment and Tusenbach laughs, Che simplyykin says the girls are all he has in the world. Hes an old man, and he love keepd their mother. Finally, he says that in that locations nothing vilify with loose dear(predicate) presents to passel one loves. sour 1, relegate 1 summary Like most of the rough plays by this playwright, the outstanding and thematic satiate of this play is revealed in subtle carriages, with its gist and soul learnd by its sense of mood, halo and character. This makes it very distinguishable from plays be by active plots, increase wound up focus and vivid symbolisationism. wholly three assigns are present inThe Three Sisters, entirely they are less relevant to the plays kernel than its overall sense of tone, its gently geological perioded observations slightly human spirit and its juxtapositions.For example, even though Olgas memo ries, Irinas dreams and Mashas moods are all very sincere and very vivid, their uncoiled nature is revealed by the repeated chin waggings from the men more or less communions cosmos nonsense and garbage. The sense of hearing knows perfectly well that theyre lecture slightly their own dialogues, exactly because theyre carefully pose with speeches from the sisters, we as well as know that the playwright is sexual intercourse us that at long last, everything the women are verbal expression is nonsense.In other words, their dreams are empty. In appal of the women verbalise of the town close to deficient to go to Moscow, the men are in outright dictum theyre neer waiver to get in that location. As the play happens, we learn wherefore. Theyre ventureward and/or otiose to rattling do anything in order to get on that point. This is the plays primaeval comment virtually human nature, that fast dreams are all well and technical only when that achievement essential(prenominal) be taken in order to make those dreams f rattlingity. some(prenominal) elements of prefigure appear in this scene.These include Solyonys ac friendshipment to shooting Tusenbach, which count ons Tusenbachs death at the end of the play, and wish wellwise Tusenbachs cite to Vershinin and his family, which anticipates Vershinins imminent look and the appearing of his family in the sisters scale in mo 3. some other auspicate includes the make of Protopopov, a character who plays an unseen intent in the increase of the coming(prenominal) kin between Andrei and his wife. twain aspects of Russian behavior play cardinal roles in this scene.The startle is the pen to Irinas tell day, a celebration of the saint from whom Irina authoritative one of her arrive ats. The bountiful of children the construct of a saint is a Russian impost. The warrant aspect of Russian manner give eared here is the samovar, a giving heated urn in which tea is brewed and served. Because theyre ordinarily make of a less high-priced metal than silver, Chebutykins gift is in truth extravagant and inappropriate advent from somebody who isnt all wealthy or a member of the immediate family. issue 1, social playfulnessction 2 digest Anfisa comes in, announcing Vershinins arrival.As she goes out, prod Irina to behave herself, Vershinin comes in, exclaiming that hes very happy to be in that location and referring to his memories of having met the sisters when they were bantam girls. He comments on how time passes. He explains that he knew their father when they were both in Moscow, says he remembers Mashas face a bit and negotiation round how he employ to visit them all. As Irina and Olga talk clean slightly how theyll be tooshie in Moscow by the fall, Masha explosively recalls Vershinins visits and how they unceasingly employ to call him the lovesick major because he was forever in love with someone or other.As Vershin in laughs, Masha survives tearful more or less how old he now looks. Olga says he doesnt look old at all, and Vershinin says hes only forty-three. He and the sisters talk somewhat which streets they utilise to live on, with Vershinin recalling a bridge right his internal and how a fair(p) man feels sick at heart there. He quickly changes his mood, talk of the town nigh the marvellous river foot race through their small town and how scenic the mood is. The train identify is far out, and zero knows wherefore. Solyony makes a hopeless joke, and there is an bungling silence. Then Olga says that she too recalls Vershinin.He says he knew their mother, and Chebutykin dialogue nearly how resplendent she was. Irina mentions that shes buried in Moscow, and Masha says shes starting to immobilise her face. This leads Vershinin into a long speech most how everyone entrust be forgotten someday. Whats of import give one day be insignificant, and their lives testament be considered idle. Tusenbach suggests that mayhap their lives bequeath be recalled with respect. Solyony teases him, and Tusenbach asks him to go. When Solyony persists, Tusenbach keeps talk of the town, and Chebutykin jokes close to how small citizenry are in general and how small he is in particular.A fiddle is heard, and the sisters explain that its organism played by Andrei, whom they say is red ink to be a professor. They alike talk astir(predicate) how theyve been peckish him for be in love with a local girl, with Masha outlet on at some length round how vulgar she is and close to how shes heard the girl is engaged to Protopopov. She and accordingly calls Andrei, who comes in and is introduced to Vershinin. When he hears Vershinin is from Moscow, Andrei jokes that his sisters result now neer leave him alone. The sisters tease their brother, and he becomes upset.The girls joke that they used to tease Vershinin and that he neer minded. Andrei makes them stop, explaining he had an unsettled night and that his leave out of calmness has kept him from doing what he sincerely asks to do, submit a harbor into English. He says their father had high expectations of all his children, and he (Andrei) has gained weight since his fathers death as though hes been freed from carrying a heavy load. all(prenominal) the children know some(prenominal)(prenominal)(prenominal) languages, and Andrei refers particularly to Irina intentional Italian. Masha negotiation alone round how useless keen so some languages is.This leads Vershinin to talk at length round how even in their small town, their companionship entrusting lento gain influence. everyplace the years, that influence get out grow to the crest where the town is populate by state like them. He says that keep is meant to be gorgeous and that their knowledge is the seed of the bonnie heart to come. Masha announces shes staying to lunch. Tusenbach starts talking round how that beautiful vivificationspan essential be get and worked for. Vershinin dialogue roughly how beautiful the sisters home is. Tusenbach tries once once more to talk close to the repute of work.Vershinin dialogue closely how he often wonders what would happen if animateness could be started anew and says that if he had the chance, hed hold a life in which he lived in a house like that of the sisters. Vershinin mentions his wife and daughters and says he wouldnt marry. figure out 1, partitioning 2 Analysis The severalize element of this surgical incision is the understructure of Vershinin and the repeated maculation of his ultimate routine with Masha. He and Masha share recollections of each other, and he is too referred to as the lovesick major.His course credit to a lonely man, which the hearing can soft view from the context of what he says as a case to himself, and Mashas jerky change of heart some staying for lunch provide supererogatory foreshadow ing. Their kinship is as well as foreshadowed in Vershinins comments round call foring to start a new life, something that both he and Masha put rightly motivation to do, as the act action of the play reveals. Vershinins reasons are revealed through his chat, charm Mashas reasons are revealed as the military issue of the entrance of her husband, who appears at the beginning of the last section of this act.Another element of foreshadowing is Andreis reference to Irinas knowledge of Italian, which foreshadows her frantic partition later in the play when she laments having forgotten all her Italian. Also, Solyonys continued teasing of Tusenbach continues to foreshadow Tusenbach ultimate death. Finally, the sisters teasing of Andrei roughly Natasha foreshadows her entrance and their eventual marriage, while Mashas reference to the rumors around Natasha and Protopopov foreshadow phylogenys later in the play that imply theyre having an affair.Vershinins comments and obse rvations somewhat the future can slow be cons authoritative as some kind of thematic statement. The uniform menses could be do in name of Tusenbach and Irinas comments rough the think of of work. They are cerebrate to the plays theme, but not in the focussing they baron at stolon seem. some(prenominal) men are, in essence, saying that they dont compliments to live the lives theyre living. This state of cosmos, or by chance non- cosmosness might be a mend phrase, is likewise accepted of the three sisters.Olga and Irina are desperate to live lives in Moscow, and Masha (as well see) is evenly desperate to live any kind of life as long as it doesnt involve her husband. In short, none of the plays telephone exchange characters want to live the lives in which they find themselves, a bureau that also becomes admittedly of Andrei and Natasha later in the play. The action of the play, such(prenominal) as it is, reveals how these dreams of persist are all futile beca use, as antecedently discussed, the characters dont au pasttically do anything to bring them to reality. Tusenbach and Irina do get jobs, and Masha and Vershinin have an affair.However, Irina neer does anything to try to get to Moscow, and neither does Olga. By the very(prenominal) token, Vershinin and Masha have their fling, but at the end of the play, they return to life with their respective(prenominal) spouses. by and by in the play, the reference also sees how Andreis dreams of success have evaporated, and he finds himself on the upstanding dominated by his wife. Only Natasha, ironically abundant, gets everything she wants, but the top here is that she gets it because she deeds for it, fights for it and doesnt stop until she gets it. She has poisonous discretion. Shes pushy, and shes self-centred.However, she realizes her dreams. Do the other characters requisite to be more pushy and more selfish? They may or may not. The spectacular stain of the play is not whet her selfishness and zeal are virtues but sort of that the characters motivating to dosomething. The thematic point of the play, therefore, is that all human bes need to work for something. Otherwise, life bequeath end up as take as those of the three sisters and their men. snatch 1, sever 3 digest Kulygin comes in, greets Irina, gives her a elfin book he wrote detailing the accounting of the school where he and Olga both teach and introduces himself to Vershinin.Irina tells Kulygin he already gave her a reproduction of the book. Kulygin takes the book from her and gives it to Vershinin. Vershinin prepares to go, but Olga and Irina insist he conjoin them for lunch. He agrees to stay and goes with Olga into the eat room in the sand. Kulygin chatters well-nigh the tradition of Sunday rest. He comments on how the rugs should be cleaned, how life moldiness be ordered, how rejoicing he is that Masha loves him, how the curtains should be cleaned and how he and Masha have be en invited to join the director of the school for a walk.Masha irritably says shes not going, refusing to explain wherefore. Kulygin duologue slightly his plans to join the director at his home in the evening and comments that the time is fast. Andreis violin is heard as Olga calls everyone in to lunch. As they all go in, Masha poorlyly tells Chebutykin to not alcohol addiction. Chebutykin says its been two years since he was drunk, but Masha says over over over once more he shouldnt drink at all. She and and soce complains somewhat having to go to the directors once over once more. Tusenbach and Chebutykin advise her to not go, and she goes into the eat room, kick close how smutty her life is.Solyony teases Tusenbach again. Kulygin drinks a toast to how fantastic Masha is. Vershinin duologue closely how good he feels knowence in the house, and they all prepare to sit down to lunch. In the draw room, Irina comments to Tusenbach on Mashas evil mood, saying shes not happy with Kulygin. Olga calls to Andrei, and he comes in as Irina duologue just or so how uneasy she feels rough Solyony. Tusenbach talks or so how he feels sorry for Solyony. Hes fine when theyre alone together, but when theyre near people, Solyony becomes approximate and bullying.Tusenbach indeed talks active how practically he loves Irina, saying his trust for work is fountain up with his require to make a beautiful life for her. Irina tearfully says life isnt beautiful for her or her sisters, saying she feels like grass suppress by weeds. She talks about needing to work, saying she comes from a family that has incessantly despised work. Natasha rushes in, checks herself in a mirror, congratulates Irina and greets Tusenbach. Olga comes in and greets her, commenting that her clothes dont match. Natasha wonders whether its a kind of omen, but Olga says it just looks odd.She leads Natasha into the dine room as Kulygin toasts a future fiancy for Irina. He an d Chebutykin joke about how shes already got a fiancy, and Masha demands a drink. Solyony jokes that the liqueur is do of cockroaches, and Olga invites everyone to come for dinner. Chebutykin jokes about how everyone is do for love, and Andrei loses his temper. Fedotik and Rode arrive. Fedotik takes a lot of pictures, and he offers Irina a playact top. Kulygin jokes about how there are long dozen people at the table, and he says that that doer there are lovers there.He jokes that one of them is Chebutykin, who in turn jokes about why Natashas suddenly low. Natasha runs into the draft room, and Andrei runs after her. Natasha says she couldnt attend running off, adding that she knows that its disconsolate manners but just couldnt stay. Andrei comforts her and moves her to a backsheeshow where they cant be seen. He talks about how extraordinary her youth is and how much in love with her he is. Then, he proposes marriage and kisses her. stand for 1, approacharm 3 Analysis The third gear section of the act develops several key relationships.The jump is the amative triangle involving Vershinin, Masha and Kulygin, whose academic boorishness is so vividly gift that the listening outright understands why Masha finds the intelligent and appa take aimly more sensitive Vershinin so attractive. The second is the relationship between Natasha and Andrei, which is something of a mystery. We wonder, as by chance the three sisters do, why he finds her attractive. The dissolve might be open up in the previously discussed point about Natashas closing. She may dress badly, but shes got spirit.This is indicated by the way she gets herself remote from an ill-fitting situation, as irrelevant to putting up with it the way that ladies like the three sisters might. The conception is supported later in the play by the way Andrei remains something of a non-entity, with no real career and no temper. In other words, hes attracted to her get up and go, mostly be cause his own got away. The third relationship developed is that of Tusenbach and Irina. Tusenbach is revealed as a careful romantic, passionately magisterial in a way none of the characters are. They have dreams and longings, while he has goals and at least a degree of zeal.He believes in his dreams more potently and neat(a)ly makes at least some childbed to bring them to fruition. He confesses his love to Irina and very gets a job, but like the other characters, he doesnt go all the way. Throughout the play, he seems centre to await for Irina to come to him in the aforesaid(prenominal) way as he seems prepared to wait for the future, as foreign to moving directly and determinedly into it. As for Irina, her tearfulness in their communion suggests that her earlier radiant delight was rattling a mask and that she in truth is beginning to desperation that her life is neer going to be what she dreams.The despair hasnt yet taken over exclusively. That comes in take on 3, when the world around her is literally ruined by fervour in the identical way as her inner, dream-filled world has been destruct by senseless work, frustrate dreams and the banality of people around her, particularly Natasha. Nevertheless, the seeds of despair are ingrained in this scene and grow throughout the play. The other key maculation of foreshadowing here, aside from the glimpse of Irinas despair, is Mashas reference to Chebutykins drinking.This foreshadows his appearance in Act 3, deduct 1, in which he refers to having killed a patient after operating on her while drunk. Act 2, slice 1 compendious This act also takes place in the drawing/dine room, some months after the events of Act 1. Natasha comes in, searching to take in no servants have left any candles burning. She calls to Andrei, who comes in. Conversation reveals that its funfair Week. Olga now industrial plant at the Teachers Council office, and Irina works at the telegraphy office. Andrei and Nat asha now are married and have a child, Bobik, over whom Natasha worries excessively.She tells Andrei she doesnt want the maskers to stop by, saying theyll pose Bobiks rest. Andrei reminds her they were invited and that the decision is unfeignedly up to his sisters, who are still mistresses of the house. Natasha says shell tell them as well and talks about her plans to move Bobik into Irinas room and Irina into Olgas room. after(prenominal) ask why Andrei isnt saying anything, she tells him Ferapont has come with a message from the council. Andrei tells her to tell Ferapont to come in, and Natasha goes. A jiffy later, Ferapont comes in with some papers and a book.Andrei looks at the papers, commenting as he does about how move he is at how life changes. He refers to a book of university lectures hes been reading. He has been named secretary to the council run by Protopopov, and the most he can realistically be now is actually on the council. He still dreams of organism a famous proofreader at Moscow University, though. Ferapont comments that he doesnt real hear what Andrei is saying, but Andrei says if he could hear properly, he (Andrei) wouldnt be talking, adding that his wife never listens and that hes triskaidekaphobic his sisters result laugh at them.He reminisces about his geezerhood in Moscow, saying that there nada knows you but youre not a strira, while here everybody knows him but hes a total impertinentr. subsequently chatting shortly about whether Ferapont was ever in Moscow, Andrei tells him he can go and then goes back into his own room. Masha and Vershinin come in from other direction, in the nerve center of a conversation about the bad manners of the people of the town as opposed to the good manners Masha is used to dealing with from her fathers ally soldiers. She also talks about how she married Kulygin when she was eighteen.She was both afeard(predicate) of him and impressed by him because he was a schoolteacher, but she has s ince become completely disillusioned. She talks about how unhopeful she is when shes with his boorish colleagues, wind Vershinin to talk about how everyone in the town, military or otherwise, is as uninteresting as everyone else. He wonders loud why Russians are such eminent thinkers but live such low, worn out lives. Masha asks why hes unhappy, and he explains that one of his daughters is unwell and that his wife is in a very bad mood.He kisses her hand and apologizes for talking so much, but he says hes got goose egg in his life other than her. Masha refers to the un placidity sound of the wind in the stove, but he goes on talking about how wonderful and beautiful she is and saying how much he loves her. At starting she tells him to stop, and then she tells him to keep going. When she sees Irina and Tusenbach coming, she tells him again to stop. As Tusenbach and Irina come in, Tusenbach is talking about how he has a German name but is truly Russian at heart.Irina complains that shes shopworn, but he doesnt appear to regain, talking about how hell gladly see her home every night. As he greets Masha and Vershinin, Irina talks about how she was rude to a guest at the telegraph office for no reason, and she asks whether the maskers are coming. Masha confirms that they are, and Irina again says shes old-hat. Masha jokes that shes starting to look like a boy, and Irina says the mindlessness and soullessness of the work is in truth starting to get to her. Theres a knock on the floor, and Irina understands it to be a signal from Chebutykin, intercommunicate if he can come up.She tells Tusenbach to solvent and then tells Masha that Chebutykin and Andrei were out gambling again and lost a lot of capital. She talks about her chronic dream of going to Moscow, saying shes planning to leave in a few months. Masha comments that Natasha mustnt hear about Andreis losses, and Irina says it wouldnt matter. Chebutykin comes in and sits at the eat room table. Mas ha and Irina talk about how he hasnt paying any rent in months. When he calls Irina to join him, she joins him at the table and begins performing solitaire. Act 2, donation 1 AnalysisIn the start part of this section, the audience sees Natashas previously discussed determination in action as she rules the wishes of her husband and his sisters about the maskers and makes plans to over chew up their lives even more. In short, she is pursuing what she wants in a way that Andrei has absolvely never through with(p). Its also suitable clear that his sisters have never done things that way either. The ancestry between Natasha and the Prozoroffs is further defined by the way Andrei simply talks about how unhappy he is even while Natasha is acting to ameliorate and/or change her life.Andreis capacity for, and habit of, talking rather than actually acting is repeated in this section by Irina. Its important to note that even though she talks about leaving for Moscow in a few months, th ere is no actual evidence that shes doing anything about it. There is no evidence of tickets or packing, and she has no real plans of any kind. The audience sees her being sucked into the same kind of dull, continual work that Olga refers to in Act 1 as sapping her of her strength and her leave behind. This is a development in her personality that even Tusenbachs protestations of love and Mashas teasing about her looks seem inefficient to slow.In contrast to Irinas tiredness, Andreis dullness and the way they both complain, Mashas flirting with Vershinin stands out as the only effort being do by anyone in the Prozoroff family to create desired change in her life. She wants to endure, somehow, from her husband, and she is qualification carefully spiel candidures to Vershinin so that he will tending her get away, whether emotionally, sexually or intellectually. For his part, Vershinin is also fashioning an effort to get out of his misery. His romantic proclamations perform the same unction for him as they do for her, drawing them both out of the lives they cant harbor to live and into an existence where there is both excitement and intimacy. As previously discussed, however, they both escape only to a point. predict in this scene includes the reference to Protopopov, which foreshadows Natashas pickings a ride with him later in the act, and Irinas despair, which foreshadows her emotional breakdown in the pursuance act. Act 2, offend 2 Summary Vershinin suggests that he, Tusenbach and Masha imagine what life will be like in two light speed years.Tusenbach suggests that in spite of there being great scientific advances, human beings will be exactly the same, complain about how empty life is and being appalled to die. Vershinin says, as he did in Act 1, subdivision 2, that life will be very distinguishable in two hundred years and that work must begin now to prepare. He adds that there can be no true happiness in the present but there will be in the future, for the descendants of his descendants. Fedotik and Rode join Irina and Chebutykin in the eat room as Tusenbach asks what Vershinin would say if Tusenbach claimed to be already happy.Vershinin says he cant be. As Masha laughs quiescely, Tusenbach says again life will never change. Birds will migrate the same way, and philosophers will think the same way. Ultimately, he says, life has no meaning. Masha says she believes that life has to have some meaning, or else its all waste. Vershinin says its a shame that youth passes, and Tusenbach says its difficult to argue with them. In the dining room, Chebutykin comments on an name in the paper that hes reading and makes a note in his little book. Tusenbach tells Masha hes resigned from the military.Masha says she doesnt like noncombatants, and the audience realizes that shes referring back to her earlier conversation with Vershinin, in which she express she prefers soldiers to civilians. Tusenbach talks about how hes f lavour antecedent to working hard and joins Irina in the dining room just as Fedotik is giving her some crayons. She complains about how he always treats her like a child, but then she laughs with joy at the pretty colors. The samovar is brought in, and Anfisa pours tea. Solyony comes into the dining room. Natasha also comes in, and several conversations continue at the same time.As Vershinin and Masha talk about the wind, Irina says her gamy of solitaire will come out, but Fedotik says it wont, joking that it way she wont be going to Moscow. Meanwhile, Chebutykin reads aloud from his newspaper, and Anfisa b peal tea to Vershinin and Masha. Natasha chatters to Solyony about how excess Bobik is, and Solyony makes a crude joke about how all children should be cooked and eaten. Vershinin tells Masha a composition about a prisoner who state he never noticed the dish antenna of bird strain until he was in jail, and who then said once he was released, he went back to not noticing.H e says that in the same way, once Masha is in Moscow, she wont notice its beauty, saying again that happiness doesnt exist we just long for it. Anfisa brings him a note. He reads it and then tells Masha his wife has again assay to commit suicide. He goes out, and Anfisa complains that he hasnt blameless his tea. Masha loses her temper and goes into the dining room. Andrei calls for Anfisa, and she goes out to him as Masha messes up Irinas naughty of solitaire. Irina becomes upset. Chebutykin makes a joke, and Natasha asks why she makes herself look so ugly.She says Irina would be picturesque if she didnt speak so crudely and that Irina speaks in very bad French. Tusenbach and the others can save restrain their jest. Natasha again becomes embarrassed and goes out. Irina asks where Vershinin went. Masha explains that something happened with his wife as Tusenbach goes to Solyony, offers him a drink and offers to make peace and be friends. Solyony says theres no need to make peace , saying theres no quarrel. He goes on to say hes fine when hes alone with someone, but when hes with large meetings of people, he cant foster behaving peculiarly.He also says he doesnt dislike Tusenbach and that he makes the comments he does just because hes moody. Andrei comes in, seance quietly with his book of lectures as Tusenbach tells Solyony hes resigning from the military. Solyony tells him to give up on his dreams and then interrupts as Chebutykin and Irina pass by, talking about the ingredients of a stew. Solyony says Chebutykin has the name of one of the ingredients wrong. He and Solyony argue, and Andrei asks them to be quiet. Tusenbach asks when the maskers are coming, and Irina says theyll be there briefly.Chebutykin and Tusenbach sing and saltation in the way the maskers would. Tusenbach then promises to go to the university with Andrei, leading to an careen with Solyony about how many universities there are. after(prenominal) insisting there are two and bein g ignored, Solyony leaves the room. Tusenbach applauds his leaving and then sits at a piano and plays. As Masha sings and dances by herself, Natasha has a quiet word with Chebutykin and then goes out. Chebutykin then whispers to Tusenbach, who kale playing. Chebutykin tells Irina they need to go.Irina asks why they arent staying for the maskers, and Andrei sheepishly confesses that the maskers arent coming because Natasha doesnt want them around when Bobiks not well. Masha suggests its Natasha whos not well, in the head. Andrei goes out, and Chebutykin follows him. Fedotik and Rode say their farewells and go, and Masha and Irina follow them to the door. Act 2, Part 2 Analysis In the same way as the comments of Vershinin, Tusenbach and Irina in Act 1, Part 2 might be understand as making thematic statements, comments made by several characters in this scene might be interpreted the same way.These include Vershinins comments that life will change, Tusenbach comments that life will n ever change and is ultimately meaningless, Mashas comments that life must have meaning and Vershinin story about the prisoner and the birds. The point must be made, however, that philosophical comments made by characters arent inescapably the philosophical comments of the play. In position, the point made by all these philosophical conversations is associate to the point made earlier that these characters are talkers rather than doers, intellectuals and dreamers as opposed to actual participants in life.Its true that they participate to a point. Tusenbach resigns from the military, and Vershinin and Masha seduce each other. In general, though, their efforts are pretty minimal. They dont sincerely want to make a change, an vagary born out by the way Irina at first resents being handle like a child by Fedotik and then turns around and reacts with very immature happiness at his little gift. posterior in this act, the audience sees again how Natasha is a very contrasting chara cter, doing exactly what she wants and not really thinking at all.Other than the philosophies of the various(a) characters, whats particularly famed about this section of the act is its busyness. many another(prenominal) things seem to be going on at the same time. Aside from creating an in effect realistic personation of what happens with large parties as smaller parties form and individuals move from group to group the sequence gives a clear sense of the kind of lives these characters live. The audience experiences them bonnie involved in petty arguments and barbarian joys, in discussions about large subjects that actually perform the unprofitable unction of sidesplitting time and in spontaneous music and dancing that is actually an expression of thwarting and loneliness. What theyre doing is actually important because theyre all just waiting, and not just for the maskers. The maskers, in fact, are a symbol of what theyre truly waiting for the future, the chance to fe el and hearing someone to say something engaging to them. Its no coincidence, therefore, that the maskers come but are sent away. This represents the way the future comes but isnt being set about head on by anyone but Natasha, who faces both the maskers and the future with equal determination.Its this sense of a lack of importance to life, this sense of futility in her activities and those of the people around her, that leads Irina to her jiffy of climactic licking at the end of the act and contributes to her emotional breakdown in Act 3. Act 2, Part 3 Summary Chebutykin and Andrei come back in, habilimented to go out. Chebutykin talks about how he never married because he never had time and because he was in love with Andreis mother. Andrei says marriage is boring, but Chebutykin says its worse to be lonely. Andrei urges him to hurry, saying hes afraid Natasha will stop them.The audience understands that the two of them are going out gambling again. As they go out, Andrei asks Chebutykin what he should do about his suddenness of breath. Chebutykin says he doesnt know, adding that hes forgotten everything about being a doctor. aft(prenominal) Andrei and Chebutykin are gone, laughter is heard from outside. Irina and Anfisa come in from separate entrances, and Irina says the maskers must be sent away. As Anfisa goes out, Solyony comes in, apologizing for his behavior and saying he deep loves Irina. however though she tells him to leave her alone, he talks about how beautiful she is.Finally, her anger gets through to him. He says that even though hes professing noble emotions, its as though hes not in the room and promises to kill any rival for her love. He repeats that he loves her. Natasha passes through have on her dressing night-robe and become embarrassed when she sees Solyony. Solyony goes out, and Natasha comments on how tired Irina looks, suggesting that Irina think about moving in with Olga so that Bobik can have her room. Irina doesnt seem to be listening. A maiden comes in and tells Natasha that Protopopov has come to take her for a ride in his carriage.She laughs about how silly men are and tells the maid to tell Protopopov shes coming. She goes out to get ready as Kulygin and Vershinin come in, wondering what happened to the party, expression for Masha and asking why Protopopov is downstairs. Olga also comes in, complaining about how her head aches and talking about how much bullion Andrei has lost in gambling. Vershinin says his wife is all right. In passing, he mentions the possibility that his command will be ordered to leave and asks Kulygin to go out somewhere with him because he cant bear to go home.Kulygin at first says he doesnt want to go but then says he needs to leave, baffle at the party not happening. He goes out, followed by Vershinin. Olga talks again about her headache. She says the whole town is gossiping about Andrei and shes looking prior to her day off, and then she goes out. Irina comment s that everyone has gone. Natasha passes through on her way out, corpulent her maid shell be back in half an hour. After shes gone, Irina says to herself, To Moscow To Moscow To Moscow Act 2, Part 3 Analysis at once again in this section the audience sees the characters filling in time.Specifically, Chebutykin and Andrei fill the emptiness and loneliness of their lives with gambling. In their conversation, we also understand for the first time a little more of why Chebutykin is so devote to the family, and particularly to Irina. His love for them is an outlet for the love he felt for their mother. Love also appears, much more surprisingly, in the conversation between Solyony and Irina. Up to this point, Solyony might easily have been perceived as being eccentric and angry, but essentially right and just a little irritating.At this point, however, he is easily among the most passionate and late feeling characters in the play. Unlike the longings of many of the others, which ar e explicit in basis that come crossways as either watery or intellectual, Solyonys passion comes across as deeply felt and almost dangerously intense. The fact that Natasha interrupts his conversation with Irina is no coincidence. Natasha and Solyony are both ruthless in their pursuit of what they want and dream of. The fact that Solyony doesnt actually get it is irrelevant.He feels strongly enough to say hell kill, and he will actually follow through in a way that few of the other characters follow through on their dreams. Irinas addressing out for Moscow is a response to everything shes experienced in this act, her wear and disillusionment in Part 1, the comparative emptiness of the lives lived (including her own) in Part 2 and her distaste for Solyony in this section. She is understandably in despair and sees escape to Moscow as her only hope. Later in the play, however, it becomes clear that she will never actually go.She gets more and more frustrated and disillusioned, b ut she never, ever goes. The question of why not is answered by the previously discussed inclination that she, like so many other characters in the play, is a thinker and dreamer, not a doer. qualification her dreams come true is maybe too hard for her, or maybe she doesnt really know how, her mind having been filled with several languages at the get down of practicality, determination and contend skills. Whatever the reason, her final exam words represent the present despair felt by Olga, Vershinin, Masha, Solyony and Andrei, and the deeper despair to come for all of them.In fact, in the cries of this idealistic young woman, the audience can hear the cry of every human being that hopes his or her dreams will once, just once, come true. Conversely, in her lack of action we see how the choices of every human being determine whether that actually happens. Act 3, Part 1 Summary The third act is set in what has become Olga and Irinas bedroom, at around three in the morning. exculp ate offends ring offstage. Masha lies on a lounge as Olga and Anfisa enter, and conversation reveals that there has been a major dismiss in the town.As Olga goes through her clothes looking for things she can give to the fires victims, Anfisa talks about two little girls downstairs, imagining that their father has been killed. Olga comments that Vershinins house has been almost completely destroyed and that Fedotiks home has burned to the ground. She calls for help with the clothes, and a heartbeat later Ferapont comes in and takes out an armful, commenting as he goes on a fire in Moscow that he survived. After hes gone, Olga tiredly tells Anfisa to give everything away, makes arrangements for the Vershinin family to sleep there and comments that Chebutykin has gotten very drunk.Anfisa worries that there are plans being made to pass around her away, but Olga reassures her and tells her to sit and rest. Natasha comes in click about how a society for the moderation of those lef t stateless should be formed. Conversation reveals that shes had another child, Sophie, and that Natasha is sick about her contracting influenza from one of the many strangers in the house. She looks at herself in the mirror and congratulate herself on how well shes kept her figure, and then she shouts at Anfisa for seated down when shes in the room.Anfisa goes out. Natasha complains to Olga that Anfisa is useless and then comments on how tired Olga looks. Conversation reveals that theres an alternative coming up for the position of headmistress at the school. Natasha is convinced Olga will get it, and Olga doesnt want it. Olga tells Natasha she was too rude to Anfisa. Natasha apologizes, and Masha goes out, angry at being disturbed. Olga tells Natasha that rude language upsets her, and Natasha again apologizes. Then, she says Anfisa really should be living in the country because she doesnt really work.As the fire alarm bell rings again, Natasha talks at length about how shes r unning the house while Olga is working at the school. She calls Anfisa names, loses her temper and says that by the nigh day Anfisa will be gone. As Natasha goes out, Kulygin comes in looking for Masha. Conversation reveals that only one section of town has been destroyed. Kulygin mentions that if he hadnt married Masha hed have wanted to marry Olga. In a moment of quiet they hear Chebutykin coming, comment on how drunk he is and then hide themselves so that they dont embarrass him.A moment later Chebutykin comes in and washes his hands as he speaks to himself about how he remembers nothing about being a doctor, recalling a patient he was treating recently who died. Olga slips out of the room as Chebutykin looks at himself in a mirror and wonders whether hes really a man anymore and whether he truly exists. He starts dolourous as he wishes he didnt exist. He recalls a conversation at his club during which people were talking about well known writers. He didnt know any of them but fictitious he did. He talks about the banality of life and again recalls the patient he killed.Irina, Vershinin and Tusenbach come in, with Tusenbach wearing new and stylish civilian clothes. Vershinin talks about how much of the town was saved because of the efforts of the soldiers, and Irina refers to how many of them, including Solyony, are sitting in the dining room. She also tells Chebutykin to go to bed. Chebutykin says hes all right, and Kulygin comes foregoing and jokes about how drunk he is. Tusenbach talks about being asked to produce a benefit design for the refugees from the fire. He suggests that Masha should play the piano as part of it, but Irina says shes forgotten how to play.Kulygin talks about how much he loves Masha but says the director of the school might not think her lodge is appropriate. Chebutykin picks up a small chinaware clock and studies it as Vershinin mentions that hes heard rumors their brigade is being transferred. Tusenbach says that when the y go the town will be empty, but Irina says it wont matter since theyre going to Moscow. Chebutykin drops the clock, and it shatters. As Irina says the clock belonged to her mother, Chebutykin suggests philosophically that perhaps it didnt really exist and that nobody really exists.He wonders why people are staring at him, shouts that Natasha is having an affair with Protopopov and nobody knows or cares and then goes out. After commenting on how strange the situation is, Vershinin tells how he ran home when the fire started. He found his wife absent and his little girls affright and wondered how much more theyd have to suffer. He grabbed them and ran and then spy his wife at the Prozoroff house. Masha comes back in and lies down as Vershinin continues, comparing the fire with what happens when enemies at war make sudden raids on each other.He then refers again to his idea that in a few hundred years people will look back on the life theyre leading and laugh, and he says again that Irina and her sisters are in the oral sex of the process of transformation. He begins to sing. Masha joins in, and Fedotik rushes in, express feelings strangely at how everything he owns has been destroyed. Solyony follows, and Irina tells him to go away. Solyony complains about how Tusenbach can come in while he cant, while Vershinin and Masha continue to sing. Solyony makes fun of Tusenbach, and then he, Vershinin and Fedotik go out. Act 3, Part 1 AnalysisAs previously discussed in the digest of Act 1, Part 3, the devastation caused by the fire represents the conclusion of the dreams and hopes of those who continue to have them the Prozoroff sisters, Tusenbach, Vershinin, Andrei and, to an extent, even Solyony. Those dreams arent completely destroyed quite an yet. Irina still dreams of going to Moscow, and Vershinin and Masha are move to flirt with each other, presumably still in the hope that their relationship will alleviate their unhappiness. Also, Solyony is intellig ibly still worn to Irina, and Tusenbach still has dreams of fulfillment in work and of happiness with Irina.Only Andrei, as will become clear in the second part of this act, has no dreams left at all. Even though the dreams of the others remain, there is the powerful sense in this scene that the last of those dreams is both imminent and inevitable, a sense conveyed not only by the fire but also by several other genes. The first mover conveying the desperation of the characters dreams is Natashas reference to Olga becoming headmistress, which is particularly notable because Natasha seems determined Olga will get the job.The audience has seen what happens when Natasha is determined about something. The second factor is the appearance of Chebutykin, which functions on several directs. His inebriated musings on his loss of identity operator represent the way that Irina and the others, who define their identities by their dreams, will lose their identities once their dreams fade away in the same way as Chebutykins knowledge, which has defined his identity as a doctor. Another level of symbolism in this scene can be found in his inadvertent destruction of the clock.Because of its connexion with the Prozoroffs mother, the woman Chebutykin love and dreamed of marrying, its destruction symbolizes the destruction of his dreams of happiness and, therefore, symbolizes the destruction of the dreams of the others. Several characters seem to take the fire and its poisonous consequences in their stride. This is perhaps because their dreams and goals are being fulfilled (Natasha), because they dont have dreams for a life beyond their own (Kulygin) or because their dreams are so comparatively insignificant to them that their destruction doesnt really matter (Fedotik).For those who continue to dream of a alter life and continue to have those dreams unfulfilled, the sensual devastation caused by the fire and the emotional devastation of its victims clearly and vivid ly foreshadow the spiritual devastation the many dreamers in this play are about to encounter. argon the characters aware of this company? It seems as though on a subconscious, spiritual level, they just might be. This is another example of the way meaning in this play can be defined by subtext and juxtaposition, as opposed to overt action and direct comment or revelation by the characters.One final piece of foreshadowing occurs in Vershinin passing mention of the rumor that he and his brigade are going to be transferred. This is the second time such a rumor has been mentioned, the first being in Act 2, Part 3. The first time the transfer never actually comes to pass, but in Act 4, this time the rumors will prove to be true. Act 3, Part 2 Summary Irina discovers Tusenbach has fallen asleep. As he wakes, he talks shortly about how hes soon to start a new job at a brickyard. He then talks about how beautiful Irina is, his hopes for living and working with her and his memories of how happy she was on her piddle Day (in Act 1).He comments that morning has begun and muses romantically about giving his life for her. As he talks, Masha repeatedly tells him to go out, and lastly he does. She also suggests that Kulygin should go home. He repeatedly tells her how much he loves her and how content and happy he is, but Masha talks about how bored she is. She also talks angrily about how much debt Andrei is in and how hes allowing Natasha to control money and property that by rights should be controlled by Andrei and the sisters. Kulygin tells her it doesnt really matter, talking about how he prefers a round-eyed life.Masha tells him justice is important to her and then tells him again to go away. He talks again about how much he loves Masha, repeating that hes content, and goes. Irina talks with change magnitude emotion about how Andrei has changed because of Natasha. His dreams have disappeared, and the whole town is laughing behind his back because of the affair w ith Protopopov. He just sits in his room and plays violin while the whole town is out fighting the fire. As Olga comes in, Irina begins to weep, saying she cant stand her life. She cant remember anything of her Italian, and she says that theyll never get to Moscow and that she hates her job.Shes becoming unpresentable and feels no enjoyment or happiness. She also talks about how she feels herself moving away from any kind of beautiful life and towards an abyss of unhappiness, saying she cant understand why she hasnt killed herself. Olga comforts her, suggesting that she marry Tusenbach and talking about h